L'âge, incapable d'embellir, efface du moins les différences
excessives qui séparent la beauté de la laideur. À cinquante ans, ce qui reste
d'une femme laide est bien près de ressembler à ce qui reste d'une jolie femme.
– Le Loup Blanc. Paul Feval.
Combat!
Season 1 Episode 10: ”I Swear by Apollo”
The wind is blowing fiercely. The squad is headed into some
trees. They come (like children through a wardrobe) past the shaggy limbs of
a coniferous tree. They escort a Frenchman who is carrying a roll of papers. He’s
obviously NPC number one. Saunders tells them that they’ll go in single file,
staying in his footsteps, as the area may be mined. They spot some cloister
nuns from a nearby convent working in a cemetery. Is it an omen? Saunders says
their job is to get the Frenchman back. They move out. Meanwhile, a wagon comes
to pick up the working nuns. The Frenchman drops his papers. The wind takes
them. He and another soldier, Temple, begin gathering the papers which are
being carried along the ground by the wind. A mine explodes about 6 feet from
the Frenchman doing d6+2 damage to everyone within a ten foot radius. Everyone
goes down. The nuns look over before turning back to their business. Roll the
opening credits.
Gunnar Hellstrom is the guest star. The episode is written
by Gene Levitt, and directed by Robert Altman.
The report is that the Frenchman is still alive, but the
soldier is down and the medic shakes his head. I guess we don’t expect him to
survive.
There’s a nice title shot superimposed over the nuns and a
cross in the cemetery. Doc tells Saunders that the Frenchman has shrapnel in
his back. The soldier, on the other hand, needs a miracle. I think we’re going
to the convent for a miracle and a splash of the religious imagery we see much
of in Altman’s episodes. Sure enough, Saunders says they’ll follow the nuns to
the convent.
There it is.
And it looks like they’ve caught the nuns getting ready for
a game of marbles, or craps…or they could be praying or something.
Saunders and Caje in succession attempt to interrupt the
nuns with pleas for aid. Both fail their diplomacy rolls. The nuns refuse to be
interrupted in the middle of their craps game duties. Saunders wants to leave Temple with Doc at the convent and leave with the Frenchman. Doc says the Frenchman can’t be moved; he needs a surgeon.
Saunders gets Hanley on the radio. Hanley says it’ll be an hour before he can
get there with a surgeon.
The Mother Superior agrees to allow them to stay at the convent
to wait for help.
Hanley gets a surgeon. We learn that the Frenchman was a
surveyor for over 30 years. They leave to begin the rescue. Cut to this shot (which may be my new profile pic):
A nun (all of the nun faces remain in shadow from the dark
cowls of their habits—like the Law Givers in Return
of the Archons) picks up the skull and candle. She mentions neither Yorick
nor her enemies and a drink. Kirby wonders if she’s taking a walk with an
old friend. Caje says the nuns meditate over the skull. (Those nuns really know how to have a good time). Saunders has the
Frenchman’s papers, but they’re of no use unless the Frenchman remains alive to decipher them.
Meanwhile, Hanley and the surgical crew are on their way.
However, the surgeon (NPC number 2) seems winded and slow; he’s dragging
his medical bag. Is it going to catch a mine? Apparently he makes his saving throw;
he moves the bag to his shoulder, refusing to stop and rest.
Sister Mary Sebastien is presented to the squad. She was a
nurse, and understands English. She will be allowed to help with the patients.
They can’t see her face, and she won’t speak because of her vow of silence. Doc
says there’s nothing for her to do until the surgeon arrives. She leaves. Kirby
finds it all “spooky”—I agree.
Back with Hanley and the much awaited surgeon, they find
Germans. After the German vehicles pass, Hanley calls to Littlejohn to send the
doc across the road. He barely gets across before a German tank barrels past.
Hanley tells the doc that’s why they need the surveyor; he can tell them every
route capable of carrying tanks. Hanley sends the doc ahead, warning him about the
open area that might be mined. The doc refuses to take Hanley’s carbine; he
already has enough to carry. Hanley and the men stay to count the passing
tanks.
Plot complication! When Hanley and friends have counted the
tanks and go to catch up to the doc, they don’t have far to go. They find him
sitting against a tree, dead from an apparent heart attack--he must not have
been the guest star. What kind of DM sends an NPC whose only purpose is to
expire without even soaking up some hps of damage? The players are going to be
complaining about that move.
When Hanley arrives at the convent, Saunders wonders where
the surgeon is. At first Hanley doesn’t answer. When Saunders persists, Hanley,
in his best matter-of-fact tone, tells him the surgeon is waiting at the edge
of a clearing waiting for a burial detail, dead. Hanley wants battalion on the
radio. He wants some direction and needs to report about the tanks he counted.
The Frenchman says he has important info and needs to speak with an
intelligence officer.
Saunders suggests getting a French doctor. Unfortunately,
the nearby town is lousy with Germans. Littlejohn reports that battalion says
that they’re on their own. It will be a couple days before battalion can get a
doctor to them. The Mother Superior tells them that there used to be a doctor
in the town. Come nightfall, Saunders and Hanley will go try to find a doc in
town.
The two heroes sneak into town. From amidst the German tanks
they seize a local on a bicycle. With the sort of diplomacy that falls beyond
the margins of the Geneva Convention, he has Caje tell the man to inform them
where the doctor might be found, if he would be so kind, and that if the man
screams, Saunders will break his neck. Weighing his limited options, the local
answers the questions put to him. Tiring of Saunders’ embrace, he agrees to
lead them to the destination.
Saunders and Caje follow the Frenchman. Once at the
destination, Saunders, being all out of roses and carnations, has Caje give the
Frenchmen their thanks by telling him that if he says anything, “We’ll hunt him
down and kill him.” The Frenchman leaves without insisting on flowers or chocolates. They look
through the hospital window and see a man in pale coat. They enter and take the
doctor by surprise.
But he is the one who surprises them, removing his coat to
reveal a German uniform.
Perhaps he’s the guest star. He must be. He exudes that haughty
arrogance that I’ve come to expect of the guest stars playing German officers.
Saunders, nevertheless, still sees the answer to his problem
in this guy, who is in fact a doctor—not Doctor Who, but a doctor nonetheless—sans
the Time Lord certification. They take him. Back at the convent, the wounded
Frenchman babbles again about important information for someone in intelligence.
The German doc asks what he has said. Saunders is suspicious; he wants to test
the German doc’s French comprehension. Caje asks him in French if it’s serious.
The doc replies in French, and realizes that he has been discovered.
The German doc tries to stall, even doing a blood
transfusion on Temple. He has excuses why he cannot operate on the Frenchman,
but Hanley counters them all. He must operate. Getting enough light by which to
operate gives Altman an opportunity to go all out on the candles and cross
motif that he often uses.
Just to make sure that the German doc understands the
gravity of the operation, Saunders pulls a page from his personal copy of The Fine Art of Diplomacy for Sergeants—based
rather loosely on Dale Carnegie’s book; he tells the German, “If this man dies,
I’ll kill you.”
The doc, who now has his mind right,
operates, assisted by the nun nurse. He enlists
Saunders to take the blood pressure. We get several shots of candles and
concerned faces. The Frenchman’s blood pressure drops to 0. It eventually goes
back up. He’ll be okay.
Temple expires.
The German doc asks Saunders if he would have gone to such
lengths to save the Frenchman if he had not had such valuable information.
Saunders replies, “There’s a war going on. I don’t like it, but I do what I
have to do.” He then counters with, “If I hadn’t put a gun up to your head,
would you have operated, Doctor?” The doc doesn’t answer.
Temple checks into his reserved room at the cemetery;
Saunders and company are off. What happened to the German doctor?
What do I think of this episode? Writing this conclusion several days after having watched the episode, I can't remember any gun fire--no combat in Combat!--unacceptable. I found the guest star convincingly played. However, the script seemed a little weak to me. Most of the time is spent milling around with silent nuns while Temple expires in slow motion. I think it could be plausible argued that the counting of German tanks and the coercion of a French peasant tie for the most exciting bits of the episode. Saunders and Hanley had some meat to their parts, but not much. I would have liked to have seen a little more difficulty in getting the German doc to the convent. Even better, if somewhat incomprehensible, would have been to have the nuns as a special German unit in disguise; as it was, the nuns were really just that: none, nothing, zilch--they added nothing significant to the story. This will definitely not make my top ten list.
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