Showing posts with label Charlton Heston. Show all posts
Showing posts with label Charlton Heston. Show all posts

Sunday, August 26, 2018

The Books of August
There has been a whole lot of reading going on around here. I have a word to say about that, but first, a quote from Touch of Evil staring Charlton Heston, Janet Leigh, and Orson Welles: "A policeman's job is only easy in a police state."

I thought it was a great movie. Both Heston's and Welles' characters had some great lines. I may do a full review later. It's currently on Netflix. Marlene Dietrich, Zsa Zsa Gabor, and Dennis Weaver also have supporting roles.

Back to the Guns Books of August. Let's begin with Salammbo by Gustave Flaubert (of Madame Bovary fame) published in 1862--so it's not going to be found on the New Releases list.

General Thoughts: If it is possible for a story to be entirely obscured, covered like a coffin in the grave by great heaping scoops truckloads of descriptive detail, and yet still hold promise enough to keep me reading, this is the best example that I've found. I nearly gave up several times. Instead of abandoning the project, I resorted to skimming over the lengthy (screens upon screens) descriptions that were perhaps meant to convey the flavor and texture of the setting--and if that was the case, I found the dish extremely over-seasoned and too textured to enjoy. I had thought about trying to read it in French until I read some reviews that mentioned the extremely heavy descriptions; I decided that I could make better time in English.

The Story in a nutshell: Disgruntled mercenaries go postal on Carthage. Dude who is obsessed with the priestess Salammbo steals a holy veil from the inner sanctum of the temple. The barbarians besiege the city. The city finds a general who can deal with them. Lots of people die. Salammbo takes advantage of the dude who stole the veil to retake it. In the end, more people die.

Do I recommend it? No. The story holds lots of promise but never delivers. Your mileage may vary, but as for me and my house, I rate it: More trouble than it's worth.

Moving on to In The Hall of the Dragon King by Stephen R. Lawhead, the first book in the Dragon King Trilogy.
General Thoughts: I decided to read this book when I found complaints elsewhere about the author's Christian faith being too prominently displayed in the book. I thought the complaints likely overstated. Unfortunately, my suspicion proved other than correct. I was hoping for the same kind of treatment of faith as is found in Sanderson's Stormlight series--which is something that makes the story more interesting and appealing in my opinion. Lawhead handles the matter much less deftly than Sanderson. I believe this is one of his earliest books, being first published back in the 1980's. If so, perhaps he has learned to use a lighter touch while still making his point. The other reason I chose this book was because I found the whole trilogy for only $3.99--about the same price as one book.

Story in a nutshell: Boy takes a message to the queen and ends up in an adventure to rescue the king from an evil wizard and restore the king to his throne, while discovering the true faith along the way.

Do I recommend it? Maybe. I'll read the next book in the trilogy. This story also holds lots of promise. It didn't get bogged down in descriptive detail and moved along fairly quickly. It was evident to me that the story was more plot-driven that character driven. While some character development happens, there's not a lot of it; mostly the story moves through a series of points designed to get from the beginning to the end without devoting much time to anything not in this direct line. The story is simple; the characters never captured my interest sufficiently to make me love the book. I rate it: Heavy handed, but interesting enough to read on.

Next up is 1776 by David McCullough.
General Thoughts: It's all right. A friend lent me this book at the perfect time. (I'm writing a flintlock fantasy series set during the American Revolutionary War). I've read several books on the revolution over the years. This one is different in that it focuses only on the titular year (mostly). I really didn't find much that was both new to me and interesting.

Story in a nutshell: There's a revolution afoot! The rotten colonials have risen in rebellion and must be put in their proper place. Washington outlasts/outmaneuvers the British in Boston but gets trounced at New York. He comes back with an inning saving rally with victories at Princeton and Trenton.

Do I recommend it? Only if you haven't read much about the revolution. It's a good description of one year of the conflict, but I didn't see enough new information to make it worth getting. I preferred Leckie's Washington's War, and Page Smith's A New Age Now Begins (a multi-volume set). Both of these are older works, but are more satisfying. As for 1776, I rate it: Good for the novice, but redundant for the seasoned student.

Finally, we have the also-rans. These books didn't keep my attention, or actually drove me away from reading them. Actually, I can only remember one at this point. It was The Pearl of Wisdom Saga Three Book Bundle. I got the bundle for free. I thought that was a good deal. The first book in the series had nearly 90 reviews, almost all of which were 4 or 5 stars. I saw two one-star reviews. I should have paid attention to those two reviews. The prose drove me away. My time is too valuable to spend on that kind of mess--rather it aspired to be a mess. It suffers from what I see in a lot of fantasy writing: It could have been written by a fairly talented 5th grader.

I might add that my current reading list includes Paul Feval's Le Loup Blanc, Richard P. Feynman's "Surely You're Joking Mr. Feynman!", and Requiem's Song by Daniel Arenson. The latter is part of a 6 book bundle that I got for $0.99. I'm enjoying all three of these.

Saturday, March 10, 2018

Smoke is finished! ...and Secret of The Incas - recap and review

Smoke is finished! I sat down this morning and wrapped it up. It's a bittersweet pill, completing this work. I put a lot into it, and enjoyed every bit of it.


Of course, I still have to do the cover (for which I need someone to give me a cigarette to use; part of the cover photo will feature diaphanous tendrils coiling upward from the cancer stick), and have it proofread, and complete the formatting...but the creation, the writing, the assembly of the monster is complete; the rest is just connecting the wires and calling down the lightning. I'll be treading on the wafting ether for a few days contemplating the completion of the endeavor.

The book is inspired by the likes of The Big Sleep, The Maltese Falcon, This Gun for Hire, and a slew of others, including My Favorite Brunette. Bogey would have been a great choice to play the protagonist; Alan Ladd might have been an even better choice. Some other time, I'll think about living actors who might play the roles of my characters.
***

Before I finished the Smoke wrap up, I treated myself to The Secret of The Incas. You can find the basic dope on it here.
Here's my recap and review.





It is the tale of the search for a fabulous golden disc encrusted with jewels. 
We meet Charlton Heston as Harry Steele, a sort of tour guide, returning tourists to the airport via a car that looks like a camp trailer running on the railroad tracks.

He tells the future Mrs. Cunningham, “Money sings, and I love music.” He asks a man at the airport about any private planes that have arrived. None. But he’ll keep asking.

Uncle Billy, now going by the name of Ed Morgan, is learning to shoot pool, perhaps in hopes of paying off the Savings and Loan debt. He tells Harry about a new exhibit, an Inca stone carving…with a missing corner. 

Morgan sends a man with a special present after Harry following their conversation. 

Harry drops, unscathed. He finds the shooter’s location, and races over while the shooter is trying to get packed and flee. He gives the guy a heaping helping of knuckle sandwich. Shooter promptly admits that Morgan sent him, but not to kill, only to scare him. Harry relieves Shooter of the money Morgan paid him, and breaks his rifle. Then Harry rushes to have a little tete-a-tete with Morgan. Morgan wants Harry to take him as a partner in finding the lost Inca treasure. Harry refuses. Still, Morgan has a client lined up for Harry. 

Harry takes his corner piece to the museum and matches it to the new exhibit. The exhibit is supposed to show the way to the tombs of the rulers of Machu Pichu. 


It’s at the museum that the new client makes her appearance…only to disappear quickly


The museum keeps an interesting item in a safe; it's a small sunburst which is like a much larger one--the fabulous jewel encrusted disc lost to the Incas four centuries earlier, and which is the object of Harry’s search. 

Mystery girl shows up again. She’s looking for Harry, 

but mistakes this Green Acres refugee for him. 

Her name is Elena Antonescu, and she’s an escapee from Romania. She wants to get to the USA. She’s wanted in La Paz, Bolivia. She only has $50; Harry tells her, “The wheels just don’t turn for fifty bucks.” When she goes all sad, Harry tells her it is a very good act. She says, “It usually works.” Harry seems interested when she talks about a guy with a plane named Marcu (the guy is Marcu, not the plane); Marcu is after her. Harry makes a call to Marcu. Harry tells Elena that Marco will be there tomorrow. He told Marcu about Elena, so that he would come with his plane. She is bait for Harry to get the plane. 


Harry is at the airport the next day. He orders fuel for the plane as it lands. Marcu, who has avoided the Russian front in the guise of General Burkhalter, is anxious to find Elena, and willing to pay. He tries to persuade Elena to go back with him. Harry knocks out Marcu, and instructs Elena to sneak into his room and get the keys to the plane.

Morgan again presses Harry for the corner stone. Harry refuses. Elena gets the key, and they depart for the airport. They sneak into the airport; Harry throws a stone through a window to draw the guards away. They get the plane and takeoff before the guards can catch them. So far, it all seems too easy. I think there’s going to be a plot complication. Nope—but that was too easy. 

They land, but not at an airport. Harry won’t say where, exactly, but it’s about 10 miles from where he’s going. At this point, I notice that Elena is still wearing the same clothes in which she arrived, even though she has a suitcase, and she had been down to wearing only a slip the night before. Maybe those are just good traveling clothes. While Harry gets a cached rubber raft, she changes clothes??. They float down the river.


That night at the fire. He tells her to wear heavier socks the next day. They’re going to Machu Pichu. But she wants to go to Mexico. She pretends to be cold, which, of course, leads to this:

Are they in love, or just using one another to achieve their own ends?  More importantly, did anyone bring any mouthwash, or deodorant?


 In the morning, they’re still Machu Pichu bound—a journey almost entirely in the vertical. When they arrive, Harry is surprised to find someone else already there. They are greeted by Pointy Hat (aka Michael Pate, known for playing bad guys, and ethnic types). 
Pointy Hat introduces them to Marcus Welby who certainly has the attitude that he knows best. He’s Stanley Moorhead, the leader of this archeological expedition, which also includes a general from the Peruvian government. It seems that they’re working in the very tomb where Harry expects to find the fabulous jewel encrusted gold disc.

When Pointy Hat’s sister, Kori-Tica, observes that Harry has a “very grave face,” meaning he is not to be trusted, a liar, or a thief, Harry tells Elena that he knows who he is, and that he can live with that. Harry has also sabotaged the radio so that the expedition won’t be apprised of their status as fugitives. 


The sister of Pointy Hat, who follows the old ways—i.e., she’s the Ruk of Machu Pichu (See, “What Are Little Girls Made Of?” S1 E7 for those of you playing along at home)--makes an offering to a princess mummy (the Mamakunu) already removed from the tomb. She sings a song that begins with what sounds like someone playing the handsaw and gradually reaches the weird-but-recognizably-human range, before going completely cackling hen on mushrooms and helium. If it really is Yma Sumac performing the music, she must be a trained opera diva with a range that goes from the moon to the bottom of the Marianas Trench. Harry takes advantage of the distraction to check out the tomb on his own. He swipes a mirror-like piece that seems to go with his corner stone. 


Finally, the much anticipated plot complication arrives in the form of Morgan. He lets Harry know that he’s now chairman of the board, and that Marcu didn’t make any report about the stolen plane.


Elena compares Harry to Morgan, and tells Harry, “For a tall man, you’re the smallest man I ever met.” The comment makes Harry re-evaluate himself.

Pointy Hat’s sister does another number, which sounds at first like she's doing a Louis Armstrong imitation; then it goes from saw and helium to barking dog. Of course there’s also some native dancing.

Dr. Morehead asks Elena to marry him. She doesn’t give him an answer…realizing she loves Harry (I suppose--because California isn't known for apples, and Abraham Lincoln didn't cut down the cherry tree).
.
The expedition opens the main tomb. It appears that the golden sunburst is merely a carving in stone; there is no fabulous gold disc--The Inca's Greatest Hits were just a myth. The natives take it hard. Harry thinks that perhaps Elena can take the sunburst’s place, at least in his heart. She turns him down, and Harry announces that he’ll leave in the morning. 


That night, Harry goes into the tomb. Morgan follows secretly. All Indiana Jones-like (before Indiana Jones), Harry finds the sunburst. Morgan has a rule against members of his party trying to abscond with all the treasure and XPs. He has Harry put the disc into a bag. Pointy Hat interrupts. A gunshot, a scuffle. Morgan knocks down both Pointy Hat and Harry. He runs from the tomb. Harry is out. Pointy Hat rouses the natives. Morgan plugs a native, but the rest keep after him. He’s finally out of bullets, and almost out of options. Somehow  he manages to elude the natives. Back at the expedition HQ, it seems that they can’t find Morgan or Harry.

Harry does find Morgan (they join up and go on to act in Dragnet and MASH—no). Morgan is played out; altitude and age have stolen his vitality; besides, disappointing Jimmy Steward on Christmas Eve really took a toll on him. Morgan delivers a nice little soliloquy about age and gravity as Harry wrests the disc from him. In the struggle, gravity, unmoved by the soliloquy, seizes Morgan and deals most unkindly with him, bouncing him against every crag sticking from the mountain's otherwise sheer face.

Harry takes the disc back to the expedition HQ; he hands the disc to Pointy Hat. This joyous event calls for more oxygen gargling from the diva.


A long engagement is in the works as Harry and Elena leave. He gives her a gold trinket that “must have fallen in my pocket” until he can get her a ring. He’s changed, but not entirely. 

It's not Heston's best work, but it is a treasure. It was nice to see the actors that I had known as a kid from other shows. Yma Sumac's singing was impressive, but seemed designed to show the range of her talent rather than to be enjoyed. I was disappointed that we didn't get more plot complications back in Cuzco where the film started; the plane theft seemed too easily accomplished...and yet, I still like it.