Sunday, January 12, 2025

Writing Buddies

 

The characters and items pictured above have been my writing companions for a few years now. On the left is what may be an Aztec death whistle. It makes a sound like rumbling wind or growling jaguar. There are two stone dice from Texas, some poker chips from a production I was in, one white plastic die, an Eiffel Tower replica (not actual size), and a dragon I found at Walmart. The two flanking denizens not only assure that I focus on my work, like the other items, they also have special functions.

The stone dice are a reminder  that the protagonist can't always succeed--even sure things are subject to chance. Even when he does succeed, there must be high probability that he won't. The plastic die suggests that after a failure or a success, there may be more unanticipated possibilities that can change the earlier result. A little luck never hurts. The chips represent the idea that a good story requires rising stakes. Eventually, the protagonist has to go all in.

The Eiffel Tower replica is a reminder to write stories that stand out from the rest of the landscape. The real tower was assembled in two years, two months, and five days. Although that was record time for the age, it's a reminder that a quality project takes time. The Eiffel Tower is made of wrought iron from the Pompey forges in France. The metal was refined through a process known as puddling, which creates almost pure iron. Eiffel claimed it was the best and most robust of materials--another thing it has in common with my stories. It was the first building to reach 1,000 feet in height and remained unchallenged for 40 years. (These facts and more about the tower can be found here). Don't forget, the tower symbolizes Paris, a city of mystery with countless faces. Stories there may rise to the tower's lofty pinnacle or descend to the dark catacombs. Whether in Roman, Viking, medieval, or modern times, Paris makes a fabulous setting. Anything can happen in Paris. A great story has no limits, and the boundaries of every setting and genre can be expanded.
 

What about the monsters? The Aztec death whistle conjures images of human sacrifice with bloodstained altars, stone knives, and naked hearts offered to the sun. Sometimes a story should tear your heart out--or at least nick it. On the one hand, it's death at the hands of evil or deceived fanatics. With the dragon on the other hand, it's have death by fang, flame, and claw. A good story should have some fire to it, with multiple ways to land the protagonist in jeopardy. The antagonist or difficulties must be formidable; it helps if they seem insurmountable and are complicated by a serious case of awesome. 

Finally, note that the death whistle and the dragon bookend the tableau. They remind me to get the protagonist into some peril or adventure early--it helps the reader get interested--and to have a powerful finale. Those monsters on the flanks also symbolize the terrible choices the characters must face. Awful consequences and uncertainty torment the protagonist. The big decisions turn on the small hinges of character and necessity. All the alternatives have their risks and drawbacks. The monsters are Scylla and Charybdis. The true hero sometimes must place his hope in something beyond himself and his own abilities, and trust that he has made the right call--just like the writer does.


Remember, time is running out to get the first three books in the Tomahawks and Dragon Fire Series for only 99 cents each. The first two books lead to the thrilling finale in the third.



Sunday, January 5, 2025

Jeff Chapman

 Interview with Jeff Chapman

Author of

The Great Contagion, The Sniggard's Revenge, Last Request: Victorian Gothic, and more

Please tell me a little about your current work in progress.

I’m working on a novel in my Merliss Tales fantasy series. Merliss is the spirit of a young woman who has been trapped inside the body of a gray cat. She had been training to become a healer/shaman, so she retains some magical abilities, but she lives as a cat. The magic which transferred her spirit to the cat gives her physical body an unusually long life. We’re talking thousands of years. Merliss aids her human companions in their battles with disease and supernatural threats. I’ve written two novels in the series (The Great Contagion and Cat Sidhe) and a short story “The Water Wight.” My work in progress is The Breath of the Sea, which is set several centuries in the future from the first two novels. The story concerns an injured mermaid and a dying girl who befriends the mermaid. Merliss is drawn into events to protect the mermaid.

Where did you get the idea for this book or series?

The Merliss Tales were inspired by a cat that my family adopted off the street. Smokey arrived at our house one day begging for food. She was sick and starving. After a trip to the vet, we had a new cat. Smokey possessed several old battle scars. One of her ears was notched and two of her four canines were missing. This gave me the idea for a character based on an old soul in a cat’s body. Merliss was born.

Do you write in more than one genre?

Yes, in addition to fantasy, I’ve written weird westerns, steampunk, horror, historical, and stories that are just weird.


 Tell me about something that you believe makes your writing unique or worthy of attention.

The Merliss Tales feature a cat as the primary protagonist. I call it fantasy from a cat’s eye view. Much of fantasy is written from the perspective of people at the top of the social order. Many of my fantasy stories focus on characters in less exalted positions. I’m aiming to tell the story of events from the perspective of the man in the trench as opposed to the general directing the army.

Is there anything about your personal history or personality that manifests strongly in your writing?

I’ve always found stories of premature burial especially terrifying. This fear was the premise for my historical novella Last Request: A Victorian Gothic. I also love cats. So, it’s not surprising that I’ve created a fantasy series centered around a cat and cats make frequent appearances in my other stories.


 What else would be helpful for readers to know about you?

I have a couple degrees in history, and I enjoy reading and watching documentaries about historical events. My interest in history has guided me toward the fantasy genre. I love looking at the past. Fantasy gives us an opportunity to make up a new past.

Excluding your own work, what underrated author or book would you recommend that more people read? Why?

They should check out Simon Kewin’s The Genehunter. It’s a dark story about a time in the future when human cloning and human-machine integration become commonplace. Kewin gives a compelling glimpse of where humanity’s darkest desires might take us when paired with the technology to get us there.

Which of your books do you most highly recommend? Why?

The Great Contagion. The story is dark and gritty at times and told completely from Merliss’s perspective. More than a few reviewers have said it’s unlike any fantasy they’ve read before.

Which break, event, decision, or fortuitous circumstance has helped you or your writing career the most?

I wouldn’t describe the events as fortuitous, but I faced some serious health issues a few years ago which reminded me of my mortality and refocused my efforts on pursuing my writing dreams.

What question do you wish you would get asked more often?

Have you written any vampire stories?

Yes, I published a short story titled “The Princess and the Vampire.” It’s about a spoiled princess who wants to take a vampire as a lover, but first she wants him to be de-fanged, literally, as in his fangs removed. The love affair doesn’t go according to plan.


 Do you have a catch-phrase or quote that you like? What is it? And why do you choose it?

I've all my wisdom teeth
Two up top, two beneath
And yet I'll recognise
My mouth says things that aren't so wise

That’s a few lines from “The Bereft Man’s Song” by the Crash Test Dummies. It’s part of my email signature. I do have my wisdom teeth, but they don’t always impart wisdom. Seems appropriate to place at the end of an interview.

Links:

http://www.jeffchapmanbooks.com/

https://www.facebook.com/JeffChapmanWriter

https://www.goodreads.com/JeffChapman

https://www.bookbub.com/profile/jeff-chapman

https://www.amazon.com/Jeff-Chapman/e/B004YQ2ZWW

https://books2read.com/ap/n0Qjkw/Jeff-Chapman

 ________________________

Thanks to Jeff for participating.

My news for the new year is from a list about last year. My story "Tokens of Moonlight and Mist" made the Tangent Online Recommended Reading List of 2024. The story is in Cirsova Magazine Issue 21/Winter 2024.

I'm between short stories at the moment, having submitted one yesterday and not having commenced another. I've also got Antonio and Rip nagging me for attention for the stand alone novella of their adventure in the islands and perhaps Mexico in search of Johnny Coyne and Catalina with the matter of the stolen ship and munitions to increase their ardor for the chase. Rip wants the ship. Antonio wants Catalina.  It will be book 7 in the Tomahawks and Dragon Fire Series. If you haven't read the prequel to the series, In Death Bedrenched, you can find it on the first of the links below. Check out the other deals too.


Free Science Fiction and Fantasy

DystopianThrillers

Pick a free book to review

 

Sunday, December 29, 2024

Little Omnibus battle

 Let's return to the Omnibus bill of 1850. Stephen Douglas succeeded where Daniel Webster had failed and brought the provisions through the Senate in small bites instead of at a single gulp. Getting the provisions through the House would be another battle.

The laconic and handsome Linn Boyd would spearhead the effort in the House. Howell Cobb of Georgia was Speaker of the House, which contained members who were often hot-headed and undisciplined. Cobb picked Boyd from those clamoring for attention on August 29. Boyd moved to add creation of the New Mexico and Utah Territories as an amendment to the Texas border bill. He soon dropped the Utah amendment, and argued, so that none would doubt where he stood, that he was for union and the Constitution. He proclaimed that he was for union not only as protection against foreign aggression, but "for the more important reason that it protects us from on another."

Joseph Root of Ohio wanted to add the Wilmot Proviso to the bill. McClernand rose to oppose the motion. Cobb repeatedly ruled the Southern members out of order on their attempts to delay the bill. Boyd, with Douglas' constant help, battled against the chaos that reigned in the chamber. Votes swayed back and forth. The bill's fate teetered on the edge between success and failure. 

On September 5, Boyd refused to allow any more amendments to be offered for his bill for fear that they would cause the bill's demise. He moved previous question to call for a vote on the bill, but the question failed. "Long John" Wentworth of Illinois wanted to send the bill back to committee to add selected amendments. Cobb ruled that his proposed amendments could be considered separately. After an amendment calling for the Wilmot Proviso to be implemented in the new territories was voted down, Cobb ruled against a second division of Wentworth's motion, reversing his ruling on the basis that it had applied to a new motion, which Wentworth's motion had then been, but with a number of votes having taken place since, the motion was no longer new and could no longer be divided. Thus the only vote left on the motion was whether it should go back to committee. Cobb's ruling was upheld by a vote, and Wentworth's motion and amendments were defeated. 

Robert Toombs then proposed an amendment which, although hidden in innocuous terms, would establish slavery in the New Mexico Territory, but the trickery was detected and nullified by slashing some of the language from Toombs' proposal. 

September 6, Cobb recognized Volney Howard of Texas, who moved for reconsideration of a third reading of the compromise bill, which had been voted down the day before. The vote carried. Finally, the bill itself could be voted on. The little omnibus bill passed by 108 to 97.

The next day the California Statehood bill passed. After heated debate, the Utah Territory bill also passed. The fugitive slave bill passed on September 12. 

Washington celebrated. Stephen Douglas gave an impromptu speech, declaring the nation united from shore to shore with the mighty west as the connecting link. Millard Fillmore proclaimed, "The long agony is over."

The above is summarized from Chapter 26 of Fergus Bordewich's America's Great Debate: Henry Clay, Stephen Douglas and the Compromise that Preserved the Union.  

__________________________________

I finished a short story yesterday. By "finished" I mean the first draft is complete. I'll do a read through and send it to my Skirmish Team for comments and criticism before I submit it. It's tentatively titled "A Stardust Memory."


 I also finished Jed the Dead by Alan Dean Foster. I had heard good things about it, and it was on sale for a buck or two. The story is about Ross Ed who finds a dead alien in a desert cave on his way from Texas to California. He continues his journey and encounters people along the way who help or hinder him. The government definitely falls into the hindering category. He ends up on the run from the military, people who want to use the alien to attract other aliens, and those looking to make big bucks from the intergalactic corpse. I have to admit that I couldn't get attached to Ross Ed or any of the other characters, and the story, although intriguing at times, couldn't consistently hold my interest. The text of the ebook had errors on almost every page, as if the book had been scanned with faulty OCR technology. I'm a fan of Foster, but this one didn't reach me. I give it 3 out of 5 road kill rabbits.

Don't forget, the first trilogy in the Tomahawks and Dragon Fire Series is on sale, as is Smoke. See the links at the top of the page.

Sunday, December 22, 2024

See How They Run

 

See How They Run, 2022, directed by Tom George and written by Mark Chappell, stars Sam Rockwell as Detective Stoppard and Saoirse Ronan as Constable Stalker. This parody of the murder mystery genre is actually funny. We've recently watched A Haunting in Venice (2023), and Murder on the Orient Express (2017); within the past year we also saw Knives Out and its forgettable sequel. I would rather rewatch See How They Run than any of those others. It has been too long since I saw Death on the Nile (2022) (which I enjoyed tremendously) for me to include that one in my comparison.

See takes place in the 1950s with a murder after the party celebrating the 100th performance of Agatha Christie's "The Mouse Trap." All the theater people as well as those connected with the possible movie based on the play are suspects. There's a certain predictability to events and to the humor--it is a parody of a formulaic genre, after all--and the ultimate callback is all the more satisfying for it. There are sufficient twists to keep one wondering. Even though I had guessed who the murderer was near the beginning, there were enough developments along the way to make me question my confidence on the selection. My guess was based on what I know about the genre, rather than any clues given to that point. 

Rockwell, better known to me as Guy Fleegman from Galaxy Quest, plays a subdued, perhaps depressed, Inspector Stoppard in stark contrast to the excitable and overconfident Constable Stalker played by Saoirse. She's worried about the sergeant's exam. He's concerned that she jumps to conclusions. Naturally, more murders follow the first and motives multiply. The execution of reveal subverted expectations and seemed like a subtle nod to Clue without the confusing nonsense. I give it 5 out of 5 spiral notepads.

_________________________

I note that the first three books in the Tomahawks and Dragon Fire Series are only 99 cents each through the end of the year. Get them now, or use your Christmas loot to add them to your library. It is the first trilogy of the series, forming a single fantastic story arc. The paperbacks make great gifts too.

These are my short stories published this year:

"Monica on my Mind" actually came out in 2023 in PinUp Noir 2.

"A Matter of Letters" came out this year in Wyrd West.

"Freedom on Wheels" came out in Road Trippin'.

"Letters in the Mail" came out in Wyrd West Cursed Canyon.

"Love under a Purple Sky" came out in Space Cowboys 6 Fission Chips.

"Tokens of Moonlight and Mist" is in Cirsova Magazine #21 - although it was the first short story I sold, it is the last one published this year.

Cirsova Magazine also recently purchased my short story "Drown Melancholy" for publication in the fall of 2025.

Smoke is on sale, along with many other good tales - find it in this multi-genre sale 

Merry Christmas! - Remember, 5 star reviews are great Christmas gifts for writers.  



 

Sunday, December 15, 2024

There she is

 


"There she is!"

Christmas and New Years are visible through the Mutara Nebula. I'm doing my part to help you navigate the holidays without functioning sensors. Don't get caught in two-dimensional thinking.

The first three books in the Tomahawks and Dragon Fire Series are on sale for only 99 cents through the end of the year. The three form a great story and set up the confrontations in the next three books. It's flintlock fantasy with kick -- and dragons.


Smoke is at a reduced price for Christmas too. If you enjoyed Smoke, you'll want to read "Monica on my Mind," which is a short story that takes place shortly after the events in the novel.

Here's a Christmas sale on books in a variety of genres.

 


And finally, the magazine above with my story "Tokens of Moonlight and Mist" just came out.

 








Sunday, December 8, 2024

I object

 

The devil can cite Scripture for his purpose. An evil soul producing holy witness Is like a villain with a smiling cheek, A goodly apple rotten at the heart. O, what a goodly outside falsehood hath! -- The Merchant of Venice, Act I, Scene 3.

I object to the subversion of good and evil. It has become popular to retell old tales and make the evil villain a misunderstood hero or heroine. Likewise, symbols of good are subverted to malicious ends. It's one thing for a character to attempt to make use of such symbology and association for his malevolent purposes--that's exactly what we expect from a great villain, as in Richard III, Act I, Scene 3:  

But then I sigh; and, with a piece of scripture,
Tell them that God bids us do good for evil:
And thus I clothe my naked villany
With old odd ends stolen out of holy writ;
And seem a saint, when most I play the devil.

It's quite another to twist the story to make the villain the sympathetic hero of the story - which in turn, requires giving evil motives, self-serving aims, and other vices to the representatives of good.

We see this in the movies and stories which subvert fairy tales or other beloved stories to cast the traditional villain in the role of misunderstood and sympathetic hero. Witches, orcs, goblins, trolls, and other monsters were created specifically as representatives of profound evil. The trope is often said to "humanize" the characters. Do we really need to have evil humanized? Good must then also be "humanized." In other words, good becomes evil and evil becomes good. The proponents may call it "making things real" or mention something about bringing out the gray realism as opposed to the stark lines of black and white. Good and evil become less than opposites in favor of blended shades of gray.

Alexander Pope described that in his Essay on Man, Epistle II, and also wrote:

Vice is a monster of so frightful mien,
As, to be hated, needs but to be seen;
Yet seen too oft, familiar with her face,
We first endure, then pity, then embrace.

We've been in the embrace for years.

Even Christmas horror movies and Christmas themed haunted houses rise from the polluted hues of the subversion swamp to upend traditional symbols associated with joy and the love of mankind in favor of fear, terror, and horror. Must Halloween's hand grasp to restrain the glad tidings of great joy? 

I object to the subversion of good and evil and the pollution of our happiest of holidays. Perhaps the subversive movement will soon run its course, but the taint will remain. It's easy to blend the colors to form the gray; it's not so easy to return the shades to their places. The classic tales had a purpose. They taught morality and virtue through simple, easily understood stories; that's why they've endured. If today's storytellers want to deal in shades of gray, let them create their own stories and characters instead of attaching themselves like debilitating parasites to enduring tales of the past.





Sunday, December 1, 2024

Dreams

 

A still from the live footage of black Friday shopping.

 

Did you put away your dreams today,

Fold them up and lock them away?

Did you put them in a drawer at the close of day,

Or consign them to the dustbin of never may?

When do the things that you hoped could be

Become the dreams you'll never see?

Do they shrivel and starve by your consent,

Or does their own weight assure their descent?

How long must they languish before they decay?

What makes their once bright bonds wither and fray?

If your dreams breathe again tomorrow,

What inspiration will they borrow?


In pursuit of my withering dreams, I've completed the first draft of my adventure book for boys. The title remains uncertain, but it's a fun story filled with action and adventure. The two boys gain some skills, use their heads, and face their fears to overcome daunting odds and thwart the evil designs of a duplicitous pirate captain while avoiding a terrible dragon and her ravenous spawn.